Same core engine — synchronized phones, automated cut — different output
modes for different situations.
Sports highlight reels
Parents on the sideline film their own kid from their own angle. Tap
a moment, get a multi-angle reel of the play — wide for context,
close-up for the touch, sideline reactions for the cheer. The
scene director picks the right angle moment-by-moment so you don't
have to.
Live music videos
A band plays one set; the audience films from wherever they're
standing. We line up audio from every phone to the millisecond,
then cut to the singer, the drummer, the lead guitar, the crowd —
following the song. What you get back is an actual music video,
from a single performance, made without a film crew.
Hi-Five
Two phones, two people, one slap. Each side films their own hand
and we mirror one frame so the hands meet in the middle of a
split-screen — a perfectly-aligned shareable moment from a gesture
that's actually impossible to film any other way.
Multi-view
Every angle, side by side. Any group of phones films the same
window of time, and we lay them out as a synchronized grid or
split. Use it for skate tricks, dance group performances, behind-
the-scenes, demos, instructional clips — anywhere "show me all of
it at once" is the point.